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我的美国文学史

斯坦贝克,J.(John Steinbeck 1902-1968)      

    小说家。1902年2月27日生于加利福尼亚州蒙特雷县塞利纳斯镇一个面粉厂主家庭。在母亲熏陶下,早年就接触欧洲古典文学作品,深受希腊古典文学、《圣经》和15世纪英国传奇亚瑟王故事的影响。1920至1925年间,他曾在斯坦福大学选修英国文学和海洋生物学课程,并从事各种体力劳动谋生。他修过公路,丈量过田亩,摘过水果,捕过鱼,与劳动人民有较多的接触。

    他在大学学习期间开始写作,1929年发表第一部长篇小说《金杯》,是写17世纪海盗亨利·摩尔根爵士的历史传奇。随后发表两部小说《天堂的牧场》(1932)和《献给一位无名的神》(1933)。1935年,《托蒂亚平地》出版,受到文艺评论界和广大读者的欢迎。1936年发表《胜负末决的战斗》。1937年发表《鼠与人》,同年由作者改编为话剧在纽约上演,获得剧评家奖。1938年发表短篇小说集《长谷》,其中包括中篇小说《红马驹》。

    代表作《愤怒的葡萄》(1939)是美国30年代大萧条时期的一部史诗。它所反映的社会问题在美国人民中引起了十分强烈的反响。1940年获普利策小说奖。

    第二次世界大战期间,他到欧洲当过战地记者。这一时期的小说有《月落》(1942)、《罐头厂街》(1944)、《任性的公共汽车》(1947)等。中篇小说《珍珠》(1947)寓意深远,文字洗练,是一部优秀的作品。斯坦贝克后期的主要作品是两部长篇小说《伊甸园以东》(1952)和《我们的不满的冬天》(1961)。

    他在成名以后曾任纽约和巴黎几家报刊的记者。第二次世界大战期间所写的欧洲战场通讯,汇集为《从前打过一场战争》,于1958年出版。1940年他与好友海洋生物学家爱德华.里基茨在加利福尼亚海湾一起采集海洋生物标本,次年发表两人合写的报道《科尔特兹之海》,其中包括斯坦贝克对生活的许多看法。1947年游历苏联,次年发表《俄罗斯纪行》。1960年在美国游历,1962年发表《和查利同游考察美国》。斯坦贝克于1962年获得诺贝尔文学奖金。1964年获得美国总统自由勋章。1968年12月20日因心脏病死于纽约。
John Steinbeck (1902-1968), born in Salinas, California, came from a family of moderate means. He worked his way through college at Stanford University but never graduated. In 1925 he went to New York, where he tried for a few years to establish himself as a free-lance writer, but he failed and returned to California. After publishing some novels and short stories, Steinbeck first became widely known with Tortilla Flat (1935), a series of humorous stories about Monterey paisanos.

Steinbeck's novels can all be classified as social novels dealing with the economic problems of rural labour, but there is also a streak of worship of the soil in his books, which does not always agree with his matter-of-fact sociological approach. After the rough and earthy humour of Tortilla Flat, he moved on to more serious fiction, often aggressive in its social criticism, to In Dubious Battle (1936), which deals with the strikes of the migratory fruit pickers on California plantations. This was followed by Of Mice and Men (1937), the story of the imbecile giant Lennie, and a series of admirable short stories collected in the volume The Long Valley (1938). In 1939 he published what is considered his best work, The Grapes of Wrath, the story of Oklahoma tenant farmers who, unable to earn a living from the land, moved to California where they became migratory workers.

Among his later works should be mentioned East of Eden (1952), The Winter of Our Discontent (1961), and Travels with Charley (1962), a travelogue in which Steinbeck wrote about his impressions during a three-month tour in a truck that led him through forty American states. He died in New York City in 1968.

From Nobel Lectures, Literature 1901-1967, Elsevier Publishing Company, Amsterdam

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"The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement."
Nobel Prize Acceptance Speech 1962
弗罗斯特,R·(Robert Frost 1874-1963)      

    诗人。生于加利福尼亚州。父亲做过校长与新闻记者,在他11岁时逝世。母亲把他带到祖籍新英格兰地区的马萨诸塞州。中学毕业后,在哈佛大学肄业2年。这前后曾做过纺织工人、教员,经营过农场,并开始写诗。他徒步漫游过许多地方,被认为是“新英格兰的农民诗人”。弗罗斯特的诗歌最初末在美国引起注意,1912年举家迁往英国定居后,继续写诗,受到英国一些诗人和美国诗人埃兹拉·庞德的支持与鼓励,出版了诗集《少年的意志》(1913)与《波士顿以北》(1914),得到好评,并引起美国诗歌界的注意。1915年回到美国,在新罕布什尔州经营农场。他的诗名日盛,于1924、1931、1937、1943年4次获得普利策奖,并在几所著名的大学中任教师、驻校诗人与诗歌顾问。他晚年是美国的一个非官方的桂冠诗人;他的诗往往从描写新英格兰的自然景色或风俗人情开始,渐渐进入哲理的境界。他的诗朴实无华,然而细致含蓄,耐人寻味。著名的《白桦树》一诗,写一般人总想逃避现实,但终究要回到现实中来。《修墙》写人世间有许多毫无存在必要的有形的和无形的墙。除了短篇抒情诗外,他有一些富于戏剧性的长篇叙事诗,刻画了新英格兰乡间人物的精神面貌,调子比较低沉,亦颇有特色。

    弗罗斯特常被称为“交替性的诗人”,意指他处在传统诗歌和现代派诗歌交替的一个时期。他又被认为与艾赂特同为美国现代诗歌的两大中心。著名诗集还有《山间》(1916)、《新罕布什尔》(1923)、《西去的溪流》(1928)、《又一片牧场》(1936)等。1949年出版了《诗歌全集》,以后仍陆续有新作发表。
Robert Lee Frost, b. San Francisco, Mar. 26, 1874, d. Boston, Jan. 29, 1963, was one of America's leading 20th-century poets and a four-time winner of the Pulitzer Prize. An essentially pastoral poet often associated with rural New England, Frost wrote poems whose philosophical dimensions transcend any region. Although his verse forms are traditional--he often said, in a dig at archrival Carl Sandburg, that he would as soon play tennis without a net as write free verse--he was a pioneer in the interplay of rhythm and meter and in the poetic use of the vocabulary and inflections of everyday speech. His poetry is thus both traditional and experimental, regional and universal.

After his father's death in 1885, when young Frost was 11, the family left California and settled in Massachusetts. Frost attended high school in that state, entered Dartmouth College, but remained less than one semester. Returning to Massachusetts, he taughtschool and worked in a mill and as a newspaper reporter. In 1894 he sold "My Butterfly: An Elegy" to The Independent, a New York literary journal. A year later he married Elinor White, with whom he had shared valedictorian honors at Lawrence (Mass.) High School. From 1897 to 1899 he attended Harvard College as a special student but left without a degree. Over the next ten years he wrote (but rarely published) poems, operated a farm in Derry, New Hampshire (purchased for him by his paternal grandfather), and supplemented his income by teaching at Derry's Pinkerton Academy.

In 1912, at the age of 38, he sold the farm and used the proceeds to take his family to England, where he could devote himself entirely to writing. His efforts to establish himself and his work were almost immediately successful. A Boy's Will was accepted by a London publisher and brought out in 1913, followed a year later by North of Boston. Favorable reviews on both sides of the Atlantic resulted in American publication of the books by Henry Holt and Company, Frost's primary American publisher, and in the establishing of Frost's transatlantic reputation.

As part of his determined efforts on his own behalf, Frost had called on several prominent literary figures soon after his arrival in England. One of these was Ezra POUND, who wrote the first American review of Frost's verse for Harriet Munroe's Poetry magazine. (Though he disliked Pound, Frost was later instrumental in obtaining Pound's release from long confinement in a Washington, D.C., mental hospital.) Frost was more favorably impressed and more lastingly influenced by the so-called Georgian poets Lascelles Abercrombie, Rupert BROOKE, and T. E. Hulme, whose rural subjects and style were more in keeping with his own. While living near the Georgians in Gloucestershire, Frost became especially close to a brooding Welshman named Edward Thomas, whom he urged to turn from prose to poetry. Thomas did so, dedicating his first and only volume of verse to Frost before his death in World War I.

The Frosts sailed for the United States in February 1915 and landed in New York City two days after the U.S. publication of North of Boston (the first of his books to be published in America). Sales of that book and of A Boy's Will enabled Frost to buy a farm in Franconia, N.H.; to place new poems in literary periodicals and publish a third book, Mountain Interval (1916); and to embark on a long career of writing, teaching, and lecturing. In 1924 he received a Pulitzer Prize in poetry for New Hampshire (1923). He was lauded again for Collected Poems (1930), A Further Range (1936), and A Witness Tree (1942). Over the years he received an unprecedented number and range of literary, academic, and public honors.

Frost's importance as a poet derives from the power and memorability of particular poems. "The Death of the Hired Man" (from North of Boston) combines lyric and dramatic poetry in blank verse. "After Apple-Picking" (from the same volume) is a free-verse dream poem with philosophical undertones. "Mending Wall" (also published in North of Boston) demonstrates Frost's simultaneous command of lyrical verse, dramatic conversation, and ironic commentary. "The Road Not Taken" and "Birches" (from Mountain Interval) and the oft-studied "Stopping by Woods on a Snowy Evening" (from New Hampshire) exemplify Frost's ability to join the pastoral and philosophical modes in lyrics of unforgettable beauty.

Frost's poetic and political conservatism caused him to lose favor with some literary critics, but his reputation as a major poet is secure. He unquestionably succeeded in realizing his life's ambition: to write "a few poems it will be hard to get rid of."

Reviewed by R.H. Winnick
The complete works of Robert Frost
A Boy's Will
North of Boston
Mountain Interval
New Hampshire
West-Running Brook
A Further Range
A Witness Tree
A Masque of Reason
Steeple Bush
A Masque of Mercy
In the Clearing

a boys will (london: david nutt, 1913)
into my own
ghost house
my november guest
love and a question
a late walk
stars
storm fear
wind and window flower
to the thawing wind
a prayer in spring
flower-gathering
rose pogonias
waiting
in a vale
a dream pang
in neglect
the vantage point
mowing
going for water
revelation
the trial by existence
the tuft of flowers
pan with us
the demiurge's laugh
now close the windows
in hardwood groves
a line-storm song
october
my butterfly
reluctance
north of boston (london: david null, 1914)
mending wall
the death of the hired man
the mountain
a hundred collars
home burial
the black cottage
blueberries
a servant to servants
after apple-picking
the code
the generations of men
the housekeeper
the fear
the self-seeker
the wood-pile
good hours
mountain interval (new york: henry holt, 1916)
the road not taken
christmas trees
an old man's winter night
the exposed nest
a patch of old snow
in the home stretch
the telephone
meeting and passing
hyla brook
the oven bird
bond and free
birches
pea brush
putting in the seed
a time to talk
the cow in apple time
an encounter
range-finding
the hill wife
i. loneliness.
il house fear
iii. the smile
iv. the oft-repeated dream
v. the impulse
the bonfire
a girl's garden
locked out
the last word of a bluebird
"out, out--"
brown's descent
the gum-gatherer
the line-gang
the vanishing red
snow
the sound of trees
new hampshire (new york: henry holt, 1923)
new hampshire
a star in a stoneboat
the census-taker
the star-splitter
maple
the ax-helve
the grindstone
paul's wife
wild grapes
place for a third
two witches
i. the witch of coos
ii. the pauper witch of grafton
an empty threat
a fountain, a bottle, a donkey's ears, and some books
i will sing you one-o
fragmentary blue
fire and ice
in a disused graveyard
dust of snow
to e. t.
nothing gold can stay
the runaway
the aim was song
stopping by woods on a snowy evening
foe once, then, something
blue-butterfly day
the onset
to earthward
good-by and keep cold
two look at two
not to keep
a brook in the city
the kitchen chimney
looking for a sunset bird in winter
a boundless moment
evening in a sugar orchard
gathering leaves
the valley's singing day
misgiving
a hillside thaw
plowmen
on a tree fallen across the road
our singing strength
the lockless door
the need of being versed in country things
west-running brook (new york: henry holt, 1928)
spring pools
the freedom of the moon
the rose family
fireflies in the garden
atmosphere
devotion
on going unnoticed
the cocoon
a passing glimpse
a peck of gold
acceptance
once by the pacific
lodged
a minor bird
bereft
tree at my window
the peaceful shepherd
the thatch
a winter eden
the flood
acquainted with the night
the lovely shall be choosers
west-running brook
sand dunes
canis major
a soldler
immigrants
hannibal
the flower boat
the times table
the investment
the last mowing
the birthplace
the door in the dark
dust in the eyes
sitting by a bush in broad sunlight
the armful
what fifty said
riders
on looking up by chance at the constellations
the bear
the egg and the machine
a further range (new york: henry holt, 1936)
a lone striker
two tramps in mud time
the white-tailed hornet
a blue ribbon at amesbury
a drumlin woodchuck
the gold hesperidee
in time of cloudburst
a roadside stand
departmental
the old barn at the bottom of the fogs
on the heart's beginning to cloud the mind
the figure in the doorway
at woodward's gardens
a record stride
lost in heaven
desert places
leaves compared with flowers
a leaf-treader
on taking from the top to broaden the base
they were welcome to their belief
the strong are saying nothing
the master speed
moon compasses
neither out far nor in deep
voice ways
design
on a bird singing in its sleep
afterflakes
clear and colder
unharvested
there are roughly zones
a trial run
not quite social
provide, provide
ten mills
i. precaution
ii. the span of life
iii. the wrights' biplane
iv. evil tendencies cancel
v. pertinax
vi. waspish
vii. one guess
viii. the hardship of accounting
ix. not all there
x. in dives dive
the vindictives
the bearer of evil tidings
iris by night
build soil
to a thinker
a missive missile
a witness tree (new york: henry holt, 1942)
beech
sycamore
the silken tent
all revelation
happiness makes up in height for what it lacks in length
come in
i could give all to time
carpe diem
the wind and the rain
the most of it
never again would birds' song be the same
the subverted flower
willful homing
a cloud shadow
the quest of the purple-fringed
the discovery of the madeiras
the gift outright
triple bronze
our hold on the planet
to a young wretch
the lesson for today
time out
to a moth seen in winter
a considerable speck
the lost follower
november
the rabbit-hunter
a loose mountain
it is almost the year two thousand
in a poem
on our sympathy with the under dog
a question
boeotian
the secret sits
an equalizer
a semi-revolution
assurance
an answer
trespass
a nature note
of the stones of the place
not of school age
a serious step lightly taken
the literate farmer and the planet venus
a masque of reason (new york: henry holt, 1945 )
a masque of reason
steeple bush (new york: henry holt, 1947)
a young birch
something for hope
one step backward taken
directive
too anxious for rivers
an unstamped letter in our rural letter box
to ancient
five nocturnes
i. the night light
ii. were i in trouble
iii. bravado
iv. on making certain anything has happened
v. in the long night
a mood apart
the fear of god
the fear of man
a steeple on the house
innate helium
the courage to be new
iota subscript
the middleness of the road
astrometaphysical
skeptic
two leading lights
a rogers group
on being idolized
a wish to comply
a cliff dwelling
it bids pretty fair
beyond words
a case for jefferson
lucretius versus the lake poets
haec fabula docet
etherealizing
why wait for science
any size we please
an importer
the planners
no holy wars for them
bursting rapture
u. s. 1946 king's x
the ingenuities of debt
the broken drought
to the right person
"an afterword" from complete poems
take something like a star
from plane to plane
a masque of mercy (new york: henry holt, 1947)
a masque of mercy
in the clearing (new york: holt, rinehart and winston, 1962)
pod of the milkweed
away!
a cabin in the clearing
closed for good
america is hard to see
one more brevity
escapist---never
for john f. kennedy- his inauguration
accidentally on purpose
a never naught song
version
a concept self-conceived
[forgive, o lord...]
kitty hawk
auspex
the draft horse
ends
peril of hope
questioning faces
does no one at all ever feel this way in the least?
the bad island----easter
our doom to bloom
the objection to being stepped on
a-wishing well
how hard it is to keep from being king when it's in you and in the situation
lines written in dejection on the eve of great success
the milky way is a cowpath
some science fiction
quandary
a reflex
in a glass of cider
from iron
[four-room shack ...]
[but outer space...]
on being chosen poet of vermont
[we vainly wrestle . . .]
[it takes all sorts. . .]
[in winter in the woods . . .]
杰克.伦敦(Jack London 1876-1916)     

    作家。1876年1月12日生于加和福尼亚州的旧金山。父亲是破产的农民,家庭非常贫困。他从幼年起就以出卖体力为生,曾去卖报、卸货。14岁进奥克兰罐头厂当童工。15岁时,不顾政府的禁令,在旧金山港口非法捕蚝(称为“蚝贼”)。后来当水手,到过日本。回国后在黄麻厂和铁路工厂做工。曾参加失业工人组成的“工人军”进军华盛顿,要求改善生活条件。以后在美国各地流浪,曾被当作“无业游民”关进监狱,罚做苦工几个月。回故乡后努力读书,4至1896年间,一边读中学,一边工作、曾一度进入大学学习。1896年阿拉斯加发现金矿,他曾加入淘金者的行列,去加拿大克郎代克地区淘金,结果得了坏血症,空手而还。从此埋头读书写作,成为职业作家。

    他写了19部长篇小说,150多篇短篇小说和故事,3部剧本,以及论文、特写等。1900至1902年发表《狼的儿子》等3部短篇小说集,这些小说通称为“北方故事”,是他的成名之作。1902年,根据在英国伦敦的实地观察,写成特写集《深渊中的人们》(1903)。他有两部描写动物的小说《荒野的呼唤》(1903)和《白牙》(1906),被认为是卓越的作品。在长篇小说《海狼》(1904)中,他揭露一个尼采式的“超人”“海狼”劳森的兽性的残忍和利己主义。

    19世纪90年代他参加社会主义运动,1905年以后参加社会党的活动。1905至1910年期间他创作了一些优秀的现实主义作品,如:论文集《阶级的斗争》(1905)和《革命》(1908);长篇小说《铁蹄》(1908)和《马丁.伊登》(1909)。自传体小说《马丁·伊登》是杰克·伦敦的代表作,它描写一个出身于劳动者的现实主义作家在资本主义社会中的命运。他在1910至1916年间还写了一些优秀的作品,如长篇小说《天大亮》(1910)和《月谷》(1913),短篇小说《德布斯之梦》(1913)、《墨西哥人》(1913)和《强者的力量》(1914)等,同时也写了不少迎合出版商的需要而粗制滥造的作品。到了后期,杰克·伦敦逐渐脱离社会斗争,追求个人享受,他的“白人优越论”发展成为大国沙文主义,为1914年美国干涉墨西哥辩护。1913年以后,他因经济上的挫折和家庭纠纷,精神受到严重打击,经常酗酒,1916年11月22日服毒自杀。

    杰克·伦敦的优秀的现实主义作品对资本主义社会的黑暗面作了揭露和批判,他擅长以人物的行动来表现主题思想,人物形象具有鲜明的个性,故事情节紧凑,文字精练生动,有相当的感染力。
"I would rather be ashes than dust!
I would rather that my spark should burn out in a brilliant blaze
than it should be stifled by dry rot.
I would rather be a superb meteor,
every atom of me in magnificent glow,
than a sleepy and permanent planet.
The proper function of man is to live, not to exist.
I shall not waste my days in trying to prolong them.
I shall use my time"

Jack London (1876 - 1916)

Jack London fought his way up out of the factories and waterfront dives of West Oakland to become the highest paid, most popular novelist and short story writer of his day. He wrote passionately and prolifically about the great questions of life and death, the struggle to survive with dignity and integrity, and he wove these elemental ideas into stories of high adventure based on his own firsthand experiences at sea, or in Alaska, or in the fields and factories of California. As a result, his writing appealed not to the few, but to millions of people all around the world.

Along with his books and stories, however, Jack London was widely known for his personal exploits. He was a celebrity, a colorful and controversial personality who was often in the news. Generally fun-loving and playful, he could also be combative, and was quick to side with the underdog against injustice or oppression of any kind. He was a fiery and eloquent public speaker, and much sought after as a lecturer on socialism and other economic and political topics. Despite his avowed socialism, most people considered him a living symbol of rugged individualism, a man whose fabulous success was due not to special favor of any kind, but to a combination of unusual mental ability and immense vitality.

Strikingly handsome, full of laughter, restless and courageous to a fault, always eager for adventure on land or sea, he was one of the most attractive and romantic figures of his time.

Jack London ascribed his literary success largely to hard work - to "dig," as he put it. He tried never to miss his early morning 1,000-word writing stint, and between 1900 and 1916 he completed over fifty books, including both fiction and non-fiction, hundreds of short stories, and numerous articles on a wide range of topics. Several of the books and many of the short stories are classics of their kind, well thought of in critical terms and still popular around the world. Today, almost countless editions of London's writings are available and some of them have been translated into as many as seventy different languages.

In addition to his daily writing stint and his commitments as a lecturer, London also carried on voluminous correspondence (he received some 10,000 letters per year), read proofs of his work as it went to press, negotiated with his various agents and publishers, and conducted other business such as overseeing construction of his custom-built sailing ship, the Snark (1906 - 1907), construction of Wolf House (1910 - 1913), and the operation of his beloved Beauty Ranch, which became a primary preoccupation after about 1911. Along with all this, he had to continually generate new ideas for books and stories and do the research so necessary to his writing.

Somehow, he managed to do all these things and still find time to go swimming, horseback riding, or sailing on San Francisco Bay. He also spent 27 months cruising the South Pacific in the Snark, put in two tours of duty as an overseas war correspondent, traveled widely for pleasure, entertained a continual stream of guests whenever he was at home in Glen Ellen, and did his fair share of barroom socializing and debating. In order to fit all this living into the narrow confines of one lifetime, he often tried to make do with no more than four or five hours of sleep at night.

London was first attracted to the Sonoma Valley by its magnificent natural landscape, a unique combination of high hills, fields and streams, and a beautiful mixed forest of oaks, madrones, California buckeyes, Douglas Fir, and redwood trees. "When I first came here, tired of cities and people, I settled down on a little farm ... 130 acres of the most beautiful, primitive land to be found in California." He didn't care that the farm was badly run-down. Instead, he reveled in its deep canyons and forests, its year-round springs and streams. "All I wanted," he said later, "was a quiet place in the country to write and loaf in and get out of Nature that something which we all need, only the most of us don't know it." Soon, however, he was busy buying farm equipment and livestock for his "mountain ranch." He also began work on a new barn and started planning a fine new house. "This is to be no summer-residence proposition," he wrote to his publisher in June 1905, "but a home all the year round. I am anchoring good and solid, and anchoring for keeps ..."

Born January 12, 1876, he was only 29, but he was already internationally famous for Call of the Wild (1903), The Sea Wolf (1904), and other literary and journalistic accomplishments. He was divorced from Bessie (Maddern), his first wife and the mother of his two daughters, Joan and Little Bess, and he had married Charmian (Kittredge).

Living and owning land near Glen Ellen was a way of escaping from Oakland - from the city way of life he called the "man-trap." But excited as he was about his plans for the ranch, London was still too restless, too eager for foreign travel and adventure, to settle down and spend all his time there. While his barn and other ranch improvements were still under construction he decided to build a ship and go sailing around the world - exploring, writing, adventuring - enjoying the "big moments of living" that he craved and that would give him still more material to write about.

The great voyage was to last seven years and take Jack and Charmian around the world. In fact it lasted 27 months and took them "only" as far as the South Pacific and Australia. Discouraged by a variety of health problems, and heartbroken about having to abandon the trip and sell the Snark, London returned to Glen Ellen and to his plans for the ranch.

In 1909, '10 and '11 he bought more land, and in 1911 moved from Glen Ellen to a small ranch house in the middle of his holdings. He rode horseback throughout the countryside, exploring every canyon, glen and hill top. And he threw himself into farming - scientific agriculture - as one of the few justifiable, basic, and idealistic ways of making a living. A significant portion of his later writing - Burning Daylight (1910), Valley of the Moon (1913), Little Lady of the Big House (1916) - had to do with the simple pleasures of country life, the satisfaction of making a living directly and honestly from the land and thereby remaining close to the realities of the natural world.

Jack and Charmian London's dream house began to take definite shape early in 1911 as Albert Farr, a well-known San Francisco architect, put their ideas on paper in the form of drawings and sketches, and then supervised the early stages of construction. It was to be a grand house - one that would remain standing for a thousand years. By August 1913, London had spent approximately $80,000 (in pre-World War I dollars), and the project was nearly complete. On August 22 final cleanup got underway and plans were laid for moving the Londons' specially designed, custom-built furniture and other personal belongings into the mansion. That night - at 2 a. m. - word came that the house was burning. By the time the Londons arrived on the scene the house was ablaze in every corner, the roof had collapsed, and even a stack of lumber some distance away was burning. Nothing could be done.

London looked on philosophically, but inside he was seriously wounded, for the loss was a crushing financial blow and the wreck of a long-cherished dream. Worse yet, he also had to face the probability that the fire had been deliberately set - perhaps by someone close to him. To this day, the mystery remains unsolved, but there are strong indications that the fire started by spontaneous combustion of oily rags which had been left in the building on that hot August night. London planned to rebuild Wolf House eventually, but at the time of his death in 1916 the house remained as it stands today, the stark but eloquent vestige of a unique and fascinating but shattered dream.

The destruction of the Wolf House left London terribly depressed, but after a few days he forced himself to go back to work. Using a $2,000 advance from Cosmopolitan Magazine, he added a new study to the little wood-frame ranch house in which he had been living since 1911. Here, in the middle of his beloved ranch, he continued to turn out the articles, short stories, and novels for which there was an ever-growing international market.

From the time he went east to meet with his publishers in New York, or to San Francisco or Los Angeles on other business. He also spent a considerable amount of time living and working aboard his 30-foot yawl, the Roamer, which he loved to sail around San Francisco Bay and throughout the nearby Sacramento-San Joaquin Delta. In 1914 he went to Mexico as a war correspondent covering the role of U.S. troops and Navy ships in the Villa-Carranza revolt.

In 1915 and again in 1916 Charmian persuaded him to spend several months in Hawaii, where he seemed better able to relax and more willing to take care of himself. His greatest satisfaction, however, came from his ranch activities and from his ever more ambitious plans for expanding the ranch and increasing its productivity. These plans kept him perpetually in debt and under intense pressure to keep on writing as fast as he could, even though it might mean sacrificing quality in favor of quantity.

His doctors urged him to ease up, to change his work habits and his diet, to stop all use of alcohol, and to get more exercise. But he refused to change his way of life, and plunged on with his writing and his ranch, generously supporting friends and relations through it all. If anything, the press of his financial commitments and his increasingly severe health problems only made him expand his ambitions, dream even larger dreams, and work still harder and faster.

On November 22, 1916, Jack London died of gastrointestinal uremic poisoning. He was 40 years of age and had been suffering from a variety of ailments, including a kidney condition that was extraordinarily painful at times. Nevertheless, right up to the last day of his life he was full of bold plans and boundless enthusiasm for the future.

Words of grief poured into the telegraph office in Glen Ellen from all of the world and from a wide variety of people.

"No writer, unless it were Mark Twain, ever had a more romantic life than Jack London. The untimely death of this most popular of American Fictionists as profoundly shocked a world that expected him to live and work for many years longer." (Ernest J. Hopkins in the San Francisco Bulletin, December 2, 1916).

"He will be missed around here, all right," said one of the workmen on the ranch, "for he was mighty good to us, and there never was a man who came here who went away hungry."

"No matter what he said or did, his ever present kindness held you. He could say the rashest and brashest things, hurt your feelings and make you like it ... because there was no personal sting. He was one of the most lovable characters of his age." (Ed Morrell, ex-convict and personal friend).

"His greatness will surge triumphantly above race and time," said his old friend George Sterling. His genius was "so flaming, so passionate, and so sincere" that it would overwhelm the limits of "prejudice and nationality."

This biography was researched and written by California State Parks Historians.
克莱恩,S.(Stephen Crane l871-1900)   

    作家。出身于新泽西州纽瓦克的牧师家庭,曾在两所大学中肄业,1891年轻学去纽约任记者。1893年写了一部中篇小说《街头女郎梅季》,取材于纽约贫民窟的生活。1894年开始分期发表另一部小说《红色英勇勋章》,1895年成书。这部小说获得欧美各国重视后,《街头女郎梅季》遂得以重新出版。1896年,去古巴采访,途中轮船遇到风暴。他根据这次经历写成短篇小说《海上扁舟》(1898),细致地描写了4个人怎样在茫茫大海中挣扎与战斗,是美国短篇小说中的一个名篇。1898年再次去古巴采访美西战争。1900年因肺病死于欧洲。

    克莱思也是一位诗人,曾发表过《黑骑者》(1895)和《战争是仁慈的》(1899)两部诗集。他的诗写法自由,不顾传统的音节和韵律,风格朴质简洁,常常通过寓言式的意象揭示生活的某个真理。评论界认为他与女诗人艾米莉·狄更生同为美国现代诗歌的先驱。
Biography of Stephen Crane

Stephen Crane was the last of 14 children born to a Methodist minister who died when he was nine. As a child he moved three times in the New York area. Crane never cared much for schooling, but he did attend Syracuse University - although only for one semester, and his most noteworthy accomplishments were performed on the baseball field. He lived the down-and-out life of a penniless artist who became well known as a poet, journalist, social critic and realist. His contemoraries noted him as being an "original" in his field of work.

War and other forms of physical and mental violence fascinate Crane. He began writing for newspapers in 1891 when he settled in New York where he developed his powers as an observer of psychological and social reality. After he wrote Red Badge of Courage, which earned Crane international acclaim at age 24, he was hired as a reporter in the American West and Mexico. At the age of 27, Crane moved to Jacksonville, Florida and got married. While in Jacksonville, his boat The Commodore sank off the coast and he wrote about the harrowing adventure in The New York Press. Crane covered the Greco-Turkish War and later settled in England where he made friends with famous writers of the time including H.G. Wells and Henry James. He later covered the Spanish-American War for Joseph Pulitzer's New York World. During the last few years of his life, he began writing furiously because he was in debt and suffering from tuberculosis. He later died while he was in Germany.

The poetry Crane produced was published in War is Kind & Other Lines (1899) and posthumously in The Black Riders & Other Lines (1905).

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Do not weep, maiden, for war is kind (I)

Do not weep, maiden, for war is kind.
Because the lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

    Hoarse, booming drums of the regiment,
    Little souls who thirst for fight,
    These men were born to drill and die.
    The unexplained glory flies above them,
    Great is the Battle-God, great, and his Kingdom -
    A field wher a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

    Swift blazing flag of the regiment,
    Eagle with crest of red and gold,
    These men were born to drill and die.
    Point for them the virtue of slaughter,
    Make plain to them the excellence of killing
    And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.


Black riders came from the sea. (I)

    Black riders came from the sea.
    There was clang and clang of spear and shield,
    And clash and clash of hoof and heel,
    Wild shouts and the wave of hair
    In the rush upon the wind:
    Thus the ride of sin.
诺里斯,F.(Frank Norris 1870-1902)   

    作家。生于芝加哥一个富裕商人家庭,少年时代在欧洲学习艺术。回国进人加利福尼亚大学,毕业后以记者为业。长期生活在美国西部,自称加利福尼亚州人。开始创作时倾向浪漫主义,如描写海上传奇的《“莱蒂夫人号”上的莫兰》(1898)。后来的小说受到左拉自然主义创作方法的影响,如《麦克提格》(1899)和《凡陀弗与兽性》(写于《麦克提格》同时,1914年发表)。

    诺里斯在西部采访新闻时,了解到代表垄断资本利益的铁路托拉斯与农场主之间的矛盾,他以此为题材,创作了“小麦史诗”三部曲。其中以《章鱼》(1901)写得最好,是他的代表作。它控诉了垄断资本的压迫与剥削,把铁路比作章鱼,无数条腕足侵人各个角落。诺里斯写过一些文艺论文,收在《小说家的责任》(190)这本集子中,主要强调“写真实”,“说真理”,“研究人性”。
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